COMING ALIVE: THE COMPLETE SERIES 1-3

ASSASSINS: AN INSPECTOR SPARK MYSTERY

London, 1921. Prominent Cabinet minister Lord Amersham has been shot dead outside his Regents Park home, two bullets to the chest and one to the forehead. The killing bears the hallmarks of a professional hit. Tackling one of the most high-profile cases Scotland Yard has ever faced, DCI Paul Stark is under pressure to produce a quick result. Amersham's colleague, Secretary of State for the Colonies Winston Churchill, is convinced the Bolsheviks are responsible. Stark's colleagues at Special Branch believe there's a connection to the Government talks taking place over Irish Home Rule. Or could the motive be connected to Lord Amersham's scandalous private life? Then there is a second murder, once again committed by an expert marksman at close range - and the case takes a terrifying new twist . . .

DOWN PAYMENT ON DEATH

Sick of the spying business, professional assassin Art Gordo decides to quit the Secret Service - but his old life won't leave him alone. It's Christmas, three months after his retirement, and Gordo is visited by an old colleague with a proposition. A senior MI7 agent has been selling secrets to the opposition and needs to be eliminated - and the job can't be traced back to the Department. What's more, the task must be completed within the next five days. Clarke's offering big money - but despite the temptation, Art turns him down. Only someone won't take 'no' for an answer. Hunted by a mysterious nemesis who'll stop at nothing - including murder - to get their way, Gordo finds himself caught in a deadly game of deception, double-cross and betrayal. To stay alive, he must find out the truth about his shadowy target, and re-enter a world he thought he'd left behind. A world with only one rule: kill or be killed...

MURDER AT THE FITZWILLIAM

After rising to prominence for his role investigating the case of Jack the Ripper, former Detective Inspector Daniel Wilson is now retired. Known for his intelligence, investigative skills, and most of all his discretion, he's often consulted when a case must be solved quickly and quietly. So when a body is found in the Egyptian Collection of the Fitzwilliam Museum in Cambridge, Wilson is called in. As he tries to uncover the identity of the dead man and the circumstances surrounding his demise, Wilson must contend with an unhelpful police Inspector, and more alarmingly, Abigail McKenzie, the archaeologist who discovered the body and is determined to protect the Egyptian collection. Can they find a way to work together to solve the mystery?

MURDER AT THE MANCHESTER MUSEUM

1895. Former Scotland Yard detective Daniel Wilson, made famous from his days working the Jack the Ripper case, and his archaeologist sidekick Abigail Fenton are summoned to investigate the murder of a young woman at the Manchester Museum. Though staff remember the woman as a recent and regular visitor, no one appears to know who she is, and she has no possessions which identify her. Seeking help from a local journalist, Daniel hopes to unravel this mystery, but the journey to the truth is fraught with obstacles.

TONY'S: THE COMPLETE SERIES 1-2

North London barber's shop Tony's might not be the trendiest salon in town, but it's definitely the cheapest and the cheeriest. Run by exuberant Italian Tony Fucetti, it's the place to go if you want a bargain cut and blow-dry from apprentice Maisie, or a short back and sides courtesy of Scottish hairdresser Hector (just watch out for his razor...) These 12 episodes follow the highs and lows of Tony and his team, as they prepare to beat Boris the Russian in a hair-styling showdown, give the corner shop a makeover, take on new stylist Stanley, and try and avoid the attentions of the taxman. Plus, Tony's Mama decides to find him a girlfriend, a hairdresser exchange programme leads to publicity - and disaster, a contretemps over a customer's bright green barnet leads to a court appearance, and a day out at the seaside doesn't go quite as planned...Please note: This is a vintage recording. The audio quality may not be up to modern day standards. Content Warning: The humour of the programme reflects the era in which it was broadcast and therefore may not reflect current views.